San Antonio landmark demolition approved, making way for food truck park.CannaBus, Texas' first mobile marijuana dispensary, coming to San Antonio.“For that matter, anything anybody else did in the '80s. “And I'll put the work of the past 16 years against anything I did in the '80s,” he says. All the words that continue to be written about his youthful capability for consuming copious quantities of drugs come across as sensational now: He made four albums before he got sober, he's made 10 since. A lot of it was totally my fault, you can pretty much count on that.”Įarle seems particularly attuned to time now, not entirely surprising for a recovering addict who feels prison gave him a second chance at life. It was more me commenting more on everybody feeling that way from time to time more than it being me in particular. “The thing about it is, that character isn't me either,” he says, pausing before laughing. It represents part of Earle's working manner. In that song, a character enduring a blue Monday leaves the bar, gasses up at the Texaco, tosses the child seat into a dumpster and drives somewhere not home. From his debut album, he's deftly cast himself as fiction writer, threading truths or details from his life into stories that aren't meant to be biographical.Ī photo of John Henry sitting on Earle's lap in the studio is included in the liner notes for “Alive.” It made me think of Earle's “The Week of Living Dangerously,” from his second album, “Exit O,” which is a year shy of its 25th anniversary. “You'd have to listen superficially to think anything else.”īut it would also be unwise to hem Earle too tightly to the characters who sing his songs. “It's a pretty up record, I think,” Earle says. But more often, the album is informed by a new zeal for life. There's discontent with the times - “Little Emperor” is a last jab at a former president and elsewhere are voiced concerns about New Orleans. It proves that there's a theme to everything.”ĭespite the resignation in the title, the book and album are bluntly aware of the “end,” only without the fatalistic tone of the Hank Williams' song that gave them their name. I wrote these songs not knowing what they were about. “And I didn't even know that when I was doing them. “Both of those things, the album and the book, deal with mortality a lot,” he says. At the same time, he was continuing work on a novel, which he'd been working on for years. Baez needed more songs for the album, so Earle wrote two for her and kept writing. Encores Expect more than one, and hope for "Jerusalem." See More CollapseĮarle's father, Jack, died three years ago while Earle was producing an album for Joan Baez.Second set Features songs from Looney and Masterson/Whitmore (the band's other married couple).First set Moorer has been closing it with a solo acoustic showcase.Sit down This ain't a Two Ton Tuesday - chairs will be set up on the dance floor on a first-come, first-served basis.Eleanor Whitmore Mandolin, fiddle, baritone guitar, vocals.Chris Masterson Guitar, miscellaneous stringed instruments, vocals.Allison Moorer Guitar, keyboards, vocals.Friday, Gruene Hall, 1281 Gruene Road, New Braunfels. We look forward to your orders and hope that you will stop in to see us if you are in Houston.Steve Earle and the Dukes (and Duchesses), 8:30 p.m. Cactus has earned loyal customers and a stellar reputation through our exemplary customer service. In addition to thousands of new and used records, The Record Ranch Gallery presents exhibits featuring music-related artwork. The Record Ranch, located inside Cactus Music is a 1,800 square-foot vinyl-only store and art gallery offering a unique shopping experience people who love records. Cactus Music also showcases local, regional and national talent on our stage with weekly in-store performances. Shepherd continues our 40-year history of offering an extensive selection of almost every physical format, historic memorabilia, hard-to-find items and music-related gifts and products. Our 5,800 square foot location at 2110 Portsmouth and S. Pappy's sons, HW "Bud" Daily and Don Daily, opened Cactus in 1975 and it was one of the country's first music super stores. The roots of our business springs from the Daily music family and the legendary record man, Pappy Daily, the founder of D Records and Starday Records. Cactus Music, the Bayou City's premier music store, has been thrilling music fans for over 40 years.
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